The third movement "The Serenade" is a fit sequel to the second in its general character.
It opens in genuine pastoral style, the horn and oboe giving a Tyrolean effect to the music leading up to a quaint and very refined serenade in slower time. But even in the serenade of the mountaineer, as in the march of the pilgrims, the unrestful and sad plaint of the viola is heard.
In the last movement "The Orgy" Berlioz gives free rein to his audacity and love of the horrible, and ends the career of Harold, like that of the artist in the "Symphonie Fantastique," in a wild and crashing hurly-burly of sound intended to picture a foul and frenzied orgy. The movement opens with reminiscences of preceeding themes, woven together with great skill.
Among them is the Harold theme, announcing his presence, and the march of the pilgrims taken by two violins and 'cellos in the wings, indicating their passage in the distance.
As if Harold had turned for a moment and longingly listened to the beautiful melody, wishing that were with them, the viola replied to it. It is only a snatch, however, for at once the furious orgy begins which drowns every reminicence.
Harold en Italie - Wikipedia
Music Games Nursery Rhymes. Harolde en Italie Op. Harold in Italy Hector Berlioz The flowing opening sets the stage for a positively luscious presentation of Harold's themes, Zimmerman's dusky tone seeming to drink in the timbres of the Read more accompanying winds and harp. But once the first movement gets going, watch out!
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The music flies along as if self-propelled. The Pilgrims' March also wastes no time getting started these are certainly happy pilgrims ; but then Davis and Zimmerman create a marvelously atmospheric moment when the chorale theme Berlioz's "Canto religioso" appears at the softest possible dynamic in winds and strings accompanied by sul ponticello arpeggios in the viola--a magical passage. The final Orgy of Brigands really is "frenetico"--and then some. Davis whips the orchestra up to a fine frenzy, but never for a moment does he sacrifice rhythmic accuracy or permit a jot of loose ensemble.
It's an impressive demonstration of collective virtuosity, and just what the composer ordered.
Berlioz: Harold In Italy, Les Troyens Excerpts / Davis, Zimmermann, London SO
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Duration 40 minutes Composer Time Period Comp. Retrieved from " http: Rieter-Biedermann Scores Berlioz, Hector Romantic style Romantic Symphonies For viola, orchestra Scores featuring the viola Scores featuring the orchestra For orchestra with soloists For viola, piano arr Scores featuring the piano For 2 players For piano 4 hands arr Scores featuring the piano 4 hands For piano arr For 1 player Pages with arrangements Works first published in Works first published in the 19th century Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with commercial recordings BnF collection Pages with parts for purchase.